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21．Room 11, Ethiopia Hotel，时长23分钟，导演Itsushi Kawase（日本）。
This film aims to capture a sense of the life of children living on the street in Gondar, Ethiopia by witnessing the interaction between two children and the Japanese film-maker, Itsushi Kawase. Although it is about the children's life on the streets, the entire film was shot in the film-maker's room in the Ethiopia Hotel in Piassa, Gondar. This limited space allows the film to focus on communication between two kids and film-maker and to reveal some of the ideas that enable them to endure and survive on the streets. This film is more a sensitive testimony than a scientific documentary. Through its hybrid approach, the film-maker aims to explore new trends in visual anthropology touching upon intimacy and subjectivity.
22．《火把节》，时长35分钟，导演嘉日姆几（中国）。
火把节在每年的阴历六月二十四日进行，是彝语支民族的共同节日，这些民族包括彝族，白族，哈尼族，傈僳族，纳西族，拉祜族等，每年欢度此节日的人至少也在2000万人以上。
火把节对于彝族人来说，是融个体、家庭、亲人、社区为一体的年复一年的精神回归，整个节日始终贯穿着宗教仪式的洗礼、亲情的深化和友谊的重组；这个节日除了祭祀，祈祷，娱乐等功能外，还承担着平衡人与自然、人与社会责任；这也是彝族人用自己的方式祈祷世界和平，安宁的伟大节日。
今天，火把节在旅游经济的浪潮下发生了巨大变化，大量与文化有关的仪式被缩减，被忽略。于是，我产生了拍摄火把节的想法，并最终完成了第一部全程纪录的《火把节》。
《火把节》选择了一个普通的家庭来组织火把节的叙事与空间，而所有的拍摄和剪辑都是长期田野研究的结果，为了补充影视在表述方面的局限，我们还附加了六万多字的田野报告来完善对火把节的理解。
The Torch Festival
Torch Festival is celebrated on lunar 24th June every year. It is shared by ethnic groups from Yi language branch, including Yi, Bai, Hani, Lisu, Naxi, Lahu, etc. At least 20,000,000 people celebrate it every year. Among these ethnic groups, Yi people with the population of over 7,000,000 have the deepest passion on torch festival. Torch festival is a repeated spiritual identification combining individual, family, relatives with community. The whole process is impenetrate with baptism of religious rituals, deepening of love among relatives and recombining of friendship; In addition to functions of sacrifice, prays and entertainment, the festival still takes the responsibility of balancing the relationship of human being with nature and the society. It is also a big festival for Yi people to pray for world peace and well-being in their way.
Nowadays, the torch festival has changed much under the trend of tourist economy, and many culture-related rituals are simplified or neglected. Upon this, I came up with the idea of shooting torch festival and finally finished the first film which records the whole process of the torch festival.
23．《搬迁：最后的洞穴村落》，时长180分钟，导演郝跃骏（中国）。
这部纪录片是《山洞里的村庄》（1995年）之后，作者再次对这个村庄所做的长达两年的影像观察。作品讲述了一个深藏在洞穴里的同一个村庄、同一些人物，在不同时内发生的不同的故事，是为《山洞里的村庄》的续集。
当这个村庄通电五年以后，一个再次打破了村里宁静的消息又从省城传来。洞穴村落在延续了二百多年后的一天，当地政府一个"搬迁工作小组"奉命来到这里，他们要求村民们限期搬出生存条件日趋恶化的山洞。于是，这个世界上最大的洞穴村落又开始动荡了起来，一系列围绕搬迁的冲突开始出现，围绕着整个村庄的搬迁，出现了本片所纪录的一系列曲折、复杂而感人的故事。
Relocation: The Last Cave Village
After A Village in A Cave (1995), the filmmaker spent two years doing fieldwork in this cave village again and made this documentary series. The film tells about a different story of the same people of this hidden village. It is a follow-up interview of A Village in A Cave.
Five years after electricity was supplied to this village, an information from the province, once again, broke the silence of the village. A 'Relocation Working Group' from the local government came and asked the villagers to move out of the bad-conditioned cave they have been living for more 200 years for generations. Consequently, in this biggest cave village in the world, a series of conflicts and stories on relocation occurred. Surrounding the relocation, the film presents a complicated and impressive story occurred in this cave village.
With an entire event, the film describes the culture, the living style, politics and social development of a Chinese rural area, and records the evolution of this Chinese rural society.
(来源：中国人类学民族学研究会)
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文章来源：新华网云南频道 2009年07月24日 12:32:47
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