|
12. 《祖先留下的规矩》，时长94分钟，导演庞涛、陈景源（中国）。
这是一部关于四川省凉山彝族地区习惯法研究的人类学影片。本片讲述了对一起"死给"案的调节。"死给"是彝族特有的词汇，意即以死相抗。"死给"是由民间纠纷所引发的，并会导致家族间的严重冲突。此类案件通常要由德古（彝族民间的知识分子）运用习惯法进行调解。
2007年冬季，凉山州古里区以得村彝族姑娘海来尔果经人介绍到广东打工了，其哥哥海来尔哲知道后找到打工介绍者吉克达依要求吉克达依将尔果找回家，几次交涉未果后，海来尔哲服下农药"死给"。矛盾发展下去将愈加激化，于是不得不由德古出面进行调节······
本片记录了对这起"死给"案调解的过程，从中可以看到彝族传统习惯法在民间的运作，如德古如何运用习惯法处理民间纠纷，以及纠纷双方如何在诉求方面展开的激烈博弈。本片是从法人类学的视角来探讨"死给"现象的，揭示了国家法与习惯法在现代化过程中的互动。
The Rules from Ancestors
This is an anthropological film about the customary law of the Yi people in Liangshan Prefecture, Sichuan Province.
The film tells about the folk mediation for the case of "death strike". The term of "death strike" is peculiar to the Yi people. It means to commit suicide as a protest, which results from folk dispute and will cause a serious conflict between different clans. Usually, such cases need to be mediated in terms of the customary law, with the degu, the folk intellectuals of the Yi, as the mediators. The film records the process of mediation for a case of "death strike" in a Yi village. We can see in it the operation of the traditional customary law among the Yi folks, for examples, how the degu deals with the folk disputes with the customary law, and how the conflicting parties argue with each other in their appeals.
The film approaches the "death strike" in the way of legal anthropology, and reveals the interaction between the state law and the customary law in the process of modernization.
13．《驼殇》，时长30分钟，导演照那斯图、毕力格、特木尔夫（中国）。
内蒙古阿拉善地区被誉为中国双峰驼之乡。上世纪末这里的双峰驼数量曾达到25万峰。但由于自然环境的恶化和其他种种原因，目前阿拉善双峰驼仅剩6万峰。为了保护这一濒临灭绝的物种，牧民额尔登达来没有放弃牧养骆驼，他家的白色骆驼日渐增多。
故事从牧民额尔登达来在家中举办的一百峰骆驼庆典展开。公骆驼"白旋风"的权威在庆典的驼赛上遇到了挑战。"白旋风"和小公驼赛跑时，不慎摔倒，被小公驼压断了后腿。尽管有人劝额尔登达来把"白旋风"卖掉，但他始终没有放弃。在额尔登达来一家人精心护理下，终于使"白旋风"站了起来。
该片解说了人与自然、人与动物和谐共存，特别是蒙古族牧人那种钢铁般的意志，苍天般的胸怀和他们深深的爱心。
The Sorrow of the Camel
This documentary THE SORROW OF THE CAMEL is telling about a true story which happened under the background like this: the Alasha area in Inner Mongolia is known as "the hometown of Chinese two-humped camels". The number of the Alasha two-humped camels was 250 thousand in the end of last century. However, there are only 60 thousand left at present due to many different reasons such as the environmental degradation. In order to protect this endangered animal, Chinese government classified two-humped camel as the national protected livestock in 2001. Under the extreme hard living circumstance, Erdendalai, a herdsman, has never given up raising the Alasha two-humped camels. And he owns 100 white two-humped camels now.
Erdendalai hosts a celebration at home to celebrate the amount of his white two-humped camels has come to 100 and to show the power and prestige of "White Whirlwind", the greatest stud camel of his. However, just at the beginning of this celebration, "White Whirlwind" encounters a challenge-another little breeding camel wants to compete with him. And unfortunately, as the result of this competition, the hind legs of "White Whirlwind" are broken. Nevertheless, after the proper treatment and the painstaking care of the Erdendalai's, "White Whirlwind" stands up again at last. Camels mean a lot to herdsmen, they are not only the financial resources, but also an important part of herdsmen's spiritual world.
14．《思念之城》，时长101分钟，导演李靖惠（中国台湾）。
《思念之城》以冬天的情境为背景，影片描绘老人住在安养院的生活，刻画了老人之间的情谊、恋爱与婚姻故事，以及对家人无尽的思念。这些老人家年龄分布在七十岁至九十岁之间，多数历经烽火战乱的人生，由这些分别唱着国语、台语、日语歌谣的年长女性们，亲托出台湾社会变迁的时空背景之下，年长女性的婚姻样貌与命运，而捕捉安养院里正在发生的爱情故事，则为本片增添更动人的情感。
台北的冬天，冷瑟的空氣、灰灰的天空、綿綿的雨；生命的冬天，慘淡的生活交錯與美麗的回憶交疊。透?"鏡?"，安養院的老人們，緩緩訴說生命的風景，原來愛情是恆常的珍寶，苦澀與甜美交錯。在真實與魔幻交錯的空間裡，乾渴的身軀冉冉升起無盡的思念，在燈火明滅的城市中，誰能知道我…?"《家在何方》、《阿嬤的戀歌》之後，本影片為作者【女性家國紀錄片】之第三部曲。
City of Memories
is the third documentary in the tetralogy "The Realm of Womenhood," after "Where is My Home?" and "The Ballads of Grandmothers." The film depicts the lives of elderly people living in a nursing home: their agony, longing and loneliness. Through the visuals of the film, they gradually illustrate a painting of their life. Love is after all an everlasting treasure intertwined in bittersweet sorrow. Caught in the space between dream and reality, images of wintry Taipei, with its drizzling rain, and the gloomy sky reflect fading minds of these aged women.
The film depicts the life of the elderly people under this facility and illustrates the friendship and interaction between these seniors and their longing for the companionship of their family. Other than capturing the life of these elderly people, the subjects' love story and marital experience will also be the focus of the film. The age group of these people is between 70 and 90. They have lived through the turmoil of war. With their background and the history of the political situations in Taiwan, the film attempts to describe the ongoing love story and fate of these women to add a moving emotion to the film.
继续浏览：1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 |
文章来源：新华网云南频道 2009年07月24日 12:32:47
|
