【首页】 中国民俗学会最新公告: ·文旅融合背景下乡村振兴与物质民俗研究学术工作坊招生启事   ·中国民俗学会2024年年会在中山大学开幕   ·[叶涛]中国民俗学会2024年年会开幕词  
   本网公告
   学会简介
   学会章程
   学会机构
理事会
秘书处
中国民俗学网编委会
中国民俗学会志愿者团队
   学会大事记
   学会会议
会议动态
联办会议
   学会活动
中国民俗学会与非遗保护
我与中国民俗学会:纪念中国民俗学会成立30周年
中华春节全景纪实摄影行动
生肖卡通设计有奖征集
感受春节:马鸣湖杯学生征文
春节文化网上谈
   知识中的伙伴
敬文民俗学沙龙
民间文化青年论坛
北京民俗博物馆
学苑出版社
妙峰山研究会
   对外学术交流
中美非物质文化遗产论坛
   学会出版物
学会年刊
中国民俗学年鉴
   联系我们

学会成立30周年系列纪念活动

首页中国民俗学会学会会议专题研讨会学会成立30周年系列纪念活动

【讲座预告】比尔·艾伟:作为非物质文化遗产的历史流行文化?
  作者:北京大学中文系民间文学教研室 | 中国民俗学网   发布日期:2013-06-02 | 点击数:7689
 

演讲题目:Historical Pop Culture as Intangible Culture Heritage?
               作为非物质文化遗产的历史流行文化?

主讲人:比尔· 艾伟(Bill Ivey)
            美国范德堡大学中美教育与文化中心主任,美国民俗学会前任会长 

时间:6月3日(周一)下午三点到五点
地点:北京大学静园五院-中文系二楼报告厅


欢迎大家参加!

主办:中国民俗学会  北京大学中文系民间文学教研室

2013年6月2日


主讲人简介:

比尔· 艾伟 Bill Ivey (AFS President, 2006-2007)

Bill Ivey is the Director of the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University, an arts policy research center with offices in Nashville, Tennessee, and Washington, DC. He also serves as Senior Consultant to Leadership Music, a music industry professional development program, and chairs the board of the National Recording Preservation Foundation, a federally-chartered foundation affiliated with the Library of Congress.

From May, 1998 through September, 2001, Ivey served as the seventh Chairman of the National Endowment for the Arts, a federal cultural agency. Following years of controversy and significant budget cuts, Ivey's leadership is credited with restoring Congressional confidence in the work of the NEA. Ivey's Challenge America Initiative, launched in 1999, has to date garnered more than $19 million in new Congressional appropriations for the Arts Endowment. Ivey returned to Washington, DC, in the fall of 2008 to serve as Team Leader for Arts and Humanities in the Barack Obama Presidential Transition.

Prior to government service, Ivey was director of the Country Music Foundation in Nashville, Tennessee. He was twice elected board chairman of the National Academy of Recording Arts and Sciences. Ivey holds degrees in folklore, history, and ethnomusicology, as well as honorary doctorates from the University of Michigan, Michigan Technological University, Wayne State University, and Indiana University. He is a four-time Grammy Award nominee (Best Album Notes category), and is the author of numerous articles on US cultural policy and folk and popular music. Ivey is the author of Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights (University of California Press, 2008), called by critic Benjamin Barber "an important book about democracy.” (来源:美国民俗学会网站

主讲人代表作:

Arts, Inc.: How Greed and Neglect Have Destroyed our Cultural Rights

Bill Ivey on the state of the arts in America

In this impassioned and persuasive book, Bill Ivey, the former chairman of the National Endowment for the Arts, assesses the current state of the arts in America and finds cause for alarm. Even as he celebrates our ever-emerging culture and the way it enriches our lives here at home while spreading the dream of democracy around the world, he points to a looming crisis. The expanding footprint of copyright, an unconstrained arts industry marketplace, and a government unwilling to engage culture as a serious arena for public policy have come together to undermine art, artistry, and cultural heritage—the expressive life of America. In eight succinct chapters, Ivey blends personal and professional memoir, policy analysis, and deeply held convictions to explore and define a coordinated vision for art, culture, and expression in American life.

Reviews

At a time when international polls show doubts about America, our art and culture are a crucial resource for our soft power. Bill Ivey does a wonderful job of explaining the importance of art as a public issue. —Joseph S. Nye, Jr., author of Soft Power: The Means to Success in World Politics

A profoundly important diagnosis by perhaps America’s best-qualified critic of the harm to our culture caused by overregulation and inadequate support. Ivey has given us a rich and beautifully written warning about the culture we’re losing, and a powerful and historically compelling image of a culture that could be.—Lawrence Lessig, Stanford Law School

Walt Whitman was democracy’s eloquent poet who understood that democracy is not just a form of government but a way of life rooted in culture. Bill Ivey is culture’s eloquent advocate who knows that as democracy needs the arts, the arts need the advocacy of government. His manifesto Arts, Inc.  is a passionate attack on the commercialization of culture and a plea for a cultural bill of rights that will restore to all Americans their right to a heritage, to creative expression and to a creative life. This is not just a vital book about the arts, but a vital book about democracy. —Benjamin R. Barber, author of Jihad vs. McWorld and Consumed

Bill Ivey has written a thoughtful and thought-provoking book on the state of the arts in America today. He tracks our loss of heritage and risk-taking and comments cogently on the past culture wars. His discussion of the corporate hijacking of intellectual property is highly articulate and should be read by everyone.—Jane Alexander

You don’t have to agree with all his conclusions to recognize that Bill Ivey’s Arts, Inc.  is an important book. It’s a must-read for all those interested in American art and culture and the public interest in preserving access to our heritage for everyone, and as it contributes to the arts of today and tomorrow.—Frank Hodsoll

Arts, Inc. is the first comprehensive effort to explore the role and potential of a coordinated vision for art, culture, and expression in American public life. Through strands of personal and professional memoir, policy analysis, for-profit and nonprofit industry insights, and personal conviction, Bill Ivey defines a new canvas for more productive and inclusive conversations on the expressive life of our nation and its citizens.—Andrew Taylor, Bolz Center for Arts Administration, University of Wisconsin-Madison

Very few observers of the contemporary U.S. and global arts worlds have Bill Ivey’s capacity for first-hand examples of how trade representatives, artists, music executives, corporate attorneys, elected officials, non-profit executives and many other participants influence the course of the arts, and in particular, the public’s access to the arts. Arts, Inc. is an important work because it asserts, in a very thoughtful and urgent manner, that Americans have a right to a better expressive life.—John Kreidler, retired Executive Director, Cultural Initiatives Silicon Valley

 

  文章来源:民俗学论坛
【本文责编:CFNEditor】

上一条: ·中国民俗学会成立30周年纪念大会暨学术报告会:主持词
下一条: ·人民网:专家建议有关部门将“民俗学”调整为一级学科
   相关链接
·[周玥]刺绣非遗生产性保护中的文化协商与女性主体赋权·[周腾]从故事到非遗:苕瓜打金牛传说的地方实践探颐
·[赵月园]非遗记忆下的民间信仰空间构造·[张竹村]国际非遗保护领域传统建筑营造技艺工匠管理机制分析与启示
·[张多]成为活态遗产:当代中国活态神话的遗产化进程及其思想轨辙·[姚慧]黄河流域音乐类非物质文化遗产保护的系统性、整体性和协同性
·[姚航]都市民俗的“再嵌入”及其调适:非遗的“异地落户”现象研究·[王心怡]非物质文化遗产保护的在地实践:以浙江省“3+N 保护行动(2018-2024)”为主线
·[王翘楚]“网红旅游城市”与“非物质文化遗产”的双品牌互构实践探究·[王静怡]仪式实践与文化传承:基于岷县宝卷的田野调查
·[王东 蒋楠]饮食类非物质文化遗产促进乡村振兴、城乡融合发展研究·[索朗旺姆]非物质文化遗产视阈下“波罗木刻”传承与创新研究
·[孙佳]中原地区民俗类非物质文化遗产的空间生产与价值重构·[齐琪]从民俗活动到进入春节申遗文本
·[裴世豪]从 “个体认定” 到 “群体赋权”:关公信俗传承困境与非遗治理范式转型研究·[牛聪]从地方文化记忆到国家文化标识:赫哲族“伊玛堪”在“乌日贡”大会中的传承重构与功能特征
·[陆兴忍 车祖萍]基于图文互证的蹴鞠非遗技艺的中日发展与传承研究·[陆慧玲]非物质文化遗产叙事的时间重心:朝向当下与未来的遗产保护理念
·[刘卓越 孙义苏]非遗活态传承中的身份重构:梅庵派古琴传承人的代际实践·[刘玉颖 [俄]Курьянова Т.С.]全球化与本土化对话中俄罗斯非物质文化遗产保护法律政策体系建设

公告栏
在线投稿
民俗学论坛
民俗学博客
入会申请
RSS订阅

民俗学论坛民俗学博客
注册 帮助 咨询 登录

学会机构合作网站友情链接版权与免责申明网上民俗学会员中心学会会员 会费缴纳2025年会专区移动端本网导航旧版回顾
主办:中国民俗学会  China Folklore Society (CFS) Copyright © 2003-2024 All Rights Reserved 版权所有
地址:北京朝阳门外大街141号 邮编:100020
联系方式: 学会秘书处 办公时间:每周一或周二上午10:30—下午4:30   投稿邮箱   会员部   入会申请
京ICP备14046869号-1    京公网安备11010602201293       技术支持:中研网