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作者简介：张举文，崴涞大学亚洲研究中心（Center for Asian Studies，Willamette University）主任、教授（美国塞勒姆97301）。
感谢日本爱知大学周星、北京大学高丙中、北京师范大学萧放、中国海洋大学李扬、中山大学宋俊华、加州大学洛杉矶分校迈克尔•琼斯（Michael O.Jones）以及达特茅斯学院白素贞（Susan Blader）等教授对本文初稿提出的修改建议。
[1]Robert Georges and Michael O.Jones,People Studying People:The Human Element in Field Work.University of California Press,1980.
[2][美]莎伦•谢尔曼：《记录我们自己：电影、录像与文化》，张举文等译，华中师范大学出版社，2011年。
[3]William A.Wilson,“The Deeper Necessity:Folklore and the Humanities”,Journal of American Folklore,vol.101,no.400(1988),p.158.
[4]Alan Dundes,“Metafolklore and Oral Literary Criticism”,The Monist,no.50(1966),p.505.
[5]JoséE.Limón,“Legendry,Metafolklore,and Performance:A Mexican-American Example”,Western Folklore,vol.42,no.3(1983),p.191n.
[6]Kirin Narayan,“The Practice of Oral Literary Criticism:Women's Songs in Kangra,India”,Journal of American Folklore vol.108,no.429(1995),p.244.
[7]Simon Lichman,“The Gardener's Story:The Metafolklore of a Mumming Tradition”,Folklore,vol.93,no.1(1982),pp.105-111；Aliza Shenhar,“Metafolkloristic Additions to Stories by the Artistic Narrator”,Folklore,vol.98,no1(1987),pp.53-56；Kirin Narayan,“The Practice of Oral Literary Criticism:Women's Songs in Kangra,India”,Journal of American Folklore,vol.108,no.429(1995),pp.243-264；Tom Brown,“‘The Hunting of the Earl of Rone.’The Emergence of‘New’Folklore Motifs:Individual Creativity and Group Control”,Folklore,vol.116,no.2(2005),pp.201-213.
[8]JoséE.Limón,“Legendry,Metafolklore,and Performance:A Mexican-American Example”,Western Folklore,vol.42,no.3(1983),p.191.
[9]Timothy R.Tangherlini,“Alan Dundes(1934-2005)”,Folklore,vol.116,no.2(2005),pp.218.
[10]Dell Hymes,“Introduction:Toward Ethnographies of Communication”,American Anthropologist,vol.66,no.6(1964),pp.1-34.
[11]David G.Hays,“Language and Interpersonal Relationships”,Daedalus,vol.102,no.3(1973),pp.203-216；M.N.France,“Metalanguage and Category Acquisition”,Philosophy and Phenomenological Research,vol.37,no.2(1976),pp.165-180；Charles L.Briggs,“Learning How to Ask:Native Metacommunicative Competence and the Incompetence of Fieldworkers”,Language in Society,vol.13,no.1(1984),pp.1-28；James M.Jr.Wilce,“‘I Can't Tell You All My Troubles’:Conflict,Resistance,and Metacommunication in Bangladeshi Illness Interactions”,American Ethnologist,vol.22,no.4(1995),pp.927-952；Harris M.Berger and Giovanna P.Del Negro,“Bauman’s Verbal Art and the Social Organization of Attention:The Role of Reflexivity in the Aesthetics of Performance”,Journal of American Folklore,vol.115,no.455(2002),pp.62-91.
[12]Jane H.Hill,“Weeping as a Meta-Signal in a Mexicano Woman's Narrative”,Journal of Folklore Research,vol.27,no.1/2(1990),pp.29-49；Keith Cunningham,“‘It Was the(Untranslatable)’:Native American Contemporary Legends in Cross-Cultural Perspective”,Folklore,vol.102,no2(1991),pp.89-96；NiallÓ.Ciosáin,“Approaching a Folklore Archive:The Irish Folklore Commission and the Memory of the Great Famine”,Folklore,vol.115,no.2(2004),pp.222-232.
[13]Zhang Juwen,“Filmic Folklore and Chinese Cultural Identity”,Western Folklore,vol.64,no.3/4(2005),pp.263-280；是文中译本可参见张文举著，桑俊译：《影视民俗与中国文化认同》，《温州大学学报》2011年第2期。
[14]Alan Dundes,Interpreting Folklore.Bloomington:University of Indiana Press,1980.[First published in Southern Folklore Quarterly,1964]；该书中译本可参见[美]邓迪斯：《民俗解析》，户晓辉译，广西师范大学出版社，2005年。
[15]Dan Ben-Amos,“Toward a Definition of Folklore in Context”,Journal of American Folklore,vol.84,no.331(1971),pp3-15；是文中译本可参见丹本-阿默思著，张举文译：《在承启关系中探求民俗的定义》，《民俗研究》1998年第4期。
[16]Richard Bauman,Verbal Art as Performance.Waveland Press,1977；该书中译本可参见[美]理查德·鲍曼：《作为表演的口头艺术》，杨利慧、安德明译，广西师范大学出版社，2008年。
[17]Dan Ben-Amos,“‘Context’in Context”,Western Folklore,vol.52,no.2/4(1993),pp.209-226；是文中译本可参见丹本-阿默思著，张举文译：《“承启关系”中的承启关系》，《民俗研究》2000年第1期。
[18]Clifford James and George E.Marcus(eds.),Writing Culture:The Poetics and Politics of Ethnography.University of California Press,1986.该书中译本可参见[美]詹姆斯•克利福德、乔治•E•马库斯编：《写文化》，高丙中等译，商务印书馆，2006年。
[19]Adele M.Fielde(ed.),Pagoda Shadows:Studies from Life in China.Boston:W.G.Corthell,1885；Adele M.Fielde,A Corner of Cathay:Studies from Life among the Chinese.NY:Macmillan&Co,1894；Norman H.Pitman,Chinese Fairy Stories.NY:Thomas Y.Crowell,1910；Norman H.Pitman,A Chinese Wonder Book.Illustrated by Li Chu-T’ang.NY:E.P.Dutton&Co,1919.
[20]John Greenway,“R.D.Jameson(1895-1959)”,Western Folklore,vol.19,no.3(1960),p.153.
[21]R.D.Jameson,Three Lectures on Chinese Folklore.Peiping:The San Yu Press,1932.
[22][德]艾伯华：《中国民间故事类型》，王燕生、周祖生译，商务印书馆，1999年。
[23]Chao Wei-pang,“Modern Chinese Folklore Investigation(中国近代民俗学研究概况).Part I.The Peking National University”,Folklore Studies,vol.1(1942),pp.55-76；Chao Wei-pang,“Modern Chinese Folklore Investigation(中国近代民俗学研究概况).Part II.The National Sun Yat-Sen University”,Folklore Studies,vol.2(1943),pp.79-88.
[24][美]丁乃通：《中国民间故事类型索引》，孟慧英译，春风文艺出版社，1983年。
[25][英]穆勒：《群己权界论》，严复译，商务印书馆，1903年。
[26][美]邓迪斯：《世界民俗学》，陈建宪、彭海斌译，上海文艺出版社，1990。
[27][美]邓迪斯：《民俗解析》，户晓辉译，广西师范大学出版社，2005年。
[28]Li Jing(ed.),“A special issue on Chinese Folklore Studies toward Disciplinary Maturity”,Asian Ethnology,vol.74,no.2(2015).
[29]Zhang Juwen(ed.),“A special issue on the New Perspectives on the Studies of Asian American Folklore”,Journal of American Folklore,vol.127,no.510(2015).
[30]“A special issue on the Living Epics of China and Inner Asia”,Journal of American Folklore,vol.129,no.513(2016).
[31]Zhang Juwen and Zhou Xing(eds.),“A special issue on The Essentials and Potentials of Intangible Cultural Heritage in China”,Western Folklore,vol76,no.2(2017).
[32]Yang Lihui,An Deming and Jessica Turner,Handbook of Chinese Mythology.Oxford University Press,2008.
（文章来源：《民俗研究》2017年第3期，引用请参考原文）
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【本文责编：刘晓】
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