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[9] 西藏那曲地区的藏族史诗歌手巴嘎(Pad-dgav)的表演场景，拍摄于2004年5月11日。他是2003年发现的又一位格萨尔“神授艺人”(vbab-sgrung)。见〈http://www.cass.net.cn/chinese/s16_sws/English/epics/Tibetan.htm〉
[10]崴涞大学(Willamette University)的张举文(Juwen Zhang)教授和俄亥俄州立大学(OSU)的马克·本德尔(Mark Bender)博士通过[Asian-as-am-folklore] 邮件列表向美国民俗学会会员征集成立“东亚民俗研究分会”(Section of Eastern Asia Folklore)的签名。琼斯教授回国后便作出了积极响应，在他们的“陈情表”(Petition)上签了名。据悉，现在签名人数已经超过美国民俗学会规定的指标，有望在今年的AFS年会上正式成立“东亚民俗研究分会”，这是值得我们关注的一个动向。大家可以通过加入该邮件列表了解美国的东亚民俗研究：〈http://lists.willamette.edu/mailman/listinfo/asian-as-am-folklore〉
[11]“repertoire”一词的翻译很难找到一个对应的汉语词汇。它通常有两个层面的含义：1)指某一个演员或剧团随时准备表演的全部歌曲、戏剧、歌剧、读物或其它作品，也指保留剧目；2)个人的全部技能和本领，某人的一系列技艺、才能或特殊成就。考虑到要兼顾民俗传承与个人创造性两方面的因素，这里暂且译作“传统知识贮备和个人才艺”。
[12]斯坦高利（Stagolee）：美国黑人民间叙事中一个著名人物。法因的相关分析案例可参见杨丽慧：《民族志诗学的理论与实践》，《北京师范大学学报》(社会科学版)，2004 (6)：49-54。
[13]“阿里阿德涅之线”(Ariadne's thread)：希腊神话中的一个典故。克里特公主阿里阿德涅(米诺斯和帕西法尔的女儿)给了雅典王子忒修斯一个线团，帮助他走出食人怪物米诺陶洛斯的迷宫。
参考文献：
Bauman, Richard. 1975. Verbal Art as Performance. American Anthropologist 77(2):290-311.
Bauman, Richard.1977. 1984. Verbal Art as Performance. Prospect Heights, Illinois: Waveland.
Bauman, Richard. 1986. Story, Performance, and Event: Contextual Studies of Oral Narrative. Cambridge Cambridgeshire, New York: Cambridge University Press.
Caesar, Wendy. 1975. “Asking a Mouse Who His Favorite Cat Is”: Musicians’ Stories about Conducts. Western Folklore 34:83-116.
Fine，Elizabeth C. 1984. The Folklore Text: From Performance to Print, Bloomington and Indianpolis: Indiana University Press.
Georges, Robert A. 1969. “Toward an Understanding of Storytelling Events.” Journal of American Folklore 82(1969):313-328.
Georges, Robert A. 1980 Greek-American Folk Beliefs and Narratives. New York: Arno Press.
Georges, Robert A., and Jones, Michael Owen. 1980. People Studying People: The Human Element in Fieldwork, Berkeley and Los Angeles: University of California Press.
Georges, Robert A., and Jones, Michael Owen. 1995. Folkloristics: An Introduction. Bloomington: Indiana University Press.
Jones, Michael Owen. 1975. “How Can We Apply Event Analysis to Material Behavior, and Why Should We?” Western Folklore, 34.
Jones, Michael Owen.1996. Studying Organizational Symbolism: What, How, Why? Thousand Oaks: Sage Publications.
Paredes, Americo, and Bauman, Richard eds. 2000. Toward New Perspectives in Folklore. Bloomington: Trickster Press
Stahl, Sandra Dolby. 1989. Literary Folkloristics and the Personal Narrative, Bloomington: Indiana University Press.
Toelken, Barre. 1996. The Dynamics of Folklore. Revised and expanded edition. Logan: Utah State University Press. Originally published 1979.
Wehmeyer, Stephen C. 1997. “Introduction.” Western Folklore Summer.
(巴莫曲布嫫 翻译 整理)
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文章来源：《民间文化论坛》2005年第2期
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