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汉魏六朝赋多维研究
The Multiview Study on Fu in Han Wei and Six-dynasties

【作者】侯立兵 【导师】张新科

【作者基本信息】陕西师范大学，中国古代文学，2005年，博士


【摘要 (中文/英文)】 本文是一篇以汉魏六朝赋为基本文本的赋学论文。在材料梳理和文本细读的基础上,论文分别从文学源流、文学生产学、哲学、接受学、民俗学、文体学、题材学和意象学等视野对这一时期的赋体文学进行了多维考察。除绪论和结语之外,全文共分9章,25万余字,随文插入各类统计表格14幅。 绪论部分除了陈述本文研究的对象、范围和相关学术背景之外,着重阐述了研究的主要思路和基本方法。文化阐释、人本立场、文学本位和多维透视是本文的基本思路和方法,也是所有论述的四条基本原则。 第一章从源流论的角度来探究汉魏六朝赋体文学,着眼于文化精神之变迁,历时态地考察赋在汉魏六朝期间嬗变的主要规律。首先分别从诗骚文化、地域文化、民俗文化等视角对赋的文化精神之源予以探析,认为《诗经》的讽谏传统、楚辞的骚怨精神、纵横家的雄伟气度以及地域、民间、史官、巫觋等文化因子共同融汇成了赋的文化精神之源。接着,从外在形式和内在精神两方面考察赋在汉魏六朝八百年期间演进的基本轨迹及其文化成因,认为抒情因素日趋强化、个体意识逐渐增强和批判精神日益显露是这一时期赋的文化精神嬗变的主要特征。 第二章从文化生产学的视野来考察汉魏六朝赋。本章在探究赋的生产机制时,着重将那些带有制度性意味的问题作为讨论重点,集中论述了献赋、试赋、酬赋、和赋的留存状况、表现形态和文化生成等相关问题。 第三章从接受学视野来考察汉魏六朝赋。文学接受学涉及范围甚广,本章主要选取了在赋体文学发展进程中较为突出的模拟与批评问题作为讨论重点。在探讨模拟问题时,本章对赋作群、同题赋等现象予以了分析,并从社会环境和心理动因等方面分析了模拟之风盛行的原因。在论及批评时,本章着重阐述了赋学批评的诗学视阈、功利与审美的矛盾、事类与情义的关系三个主要问题。 第四章从哲学和宗教视野来分析儒释道玄入赋的问题。为了突出重点,文章以时间段分别论述儒道与两汉赋、玄学与魏晋赋、佛教与南朝赋的关系。在探讨完儒道分别给汉代体物、言志两类赋带来的影响之后,本章还描述了玄学给魏晋赋所带来的老庄的哲理命题、逍遥的人生境界和浓郁的思辨色彩。随后,从题材引入、艺术浸染等方面讨论了佛教对南北朝赋的影响。 第五章则主要从民俗学和俗文化的视野来观照。在这一章中,汉魏六朝赋中所蕴藏的节日、婚育、信仰、礼仪和游艺等民俗文化内涵得以发掘;作为雅文化……  

This paper, which takes the Fu in Han Wei and Six-dynasties as the basic materials, is an exploration to Fu. Under the base of the careful arrangement and attentive reading of the materials, the paper investgate through various methodologies to Fu in this period, including evolution, production, philosophy, acception folklore, style, theme, image, and so on. Besides introduction and summarization, the whole paper consists of nine chapters, and twelve statistical forms ,and has 230'000 Chinese words.The introduction describes the object and range of research, demonstrates relevant academic background, and explain the principally methodologies and the clues of consideration of this paper. The clues comprise the cultural criticism, the stance of human being, the standpoint of literature, which are also four principles that cannot be ignored.The first chapter runs for the laws of the development of cultural mettle of Fu. Firstly, many factors including the Book of Songs, Chu-ci, zone and folklore culture are considered. The paper claim that the origin of the cultural spirit of Fu comes from the consciousness of criticism from the Book of Songs, the indignation from Chu-ci, the breadth of spirit from ruse of specialists, zone and folklore culture. Secondly, through outside and inside two angles, the paper explores the laws of development and the relevant cultural factors, and claims the main laws include the magnification of expression of emotion, the expansion of ego-consciousness, the amplification of criticism spirit.The second chapter centered around the producing of Fu in Han Wei and Six-dynasties, put the emphasis on the regimentation of dedication, examination and presentation about Fu.The third chapter throws light on the Fu of Han Wei and Six-dynasties through the acception of literature. Because the range of the acception of literature is too wide, so this chapter put the emphasis on the imitation and criticism of Fu. To explore the imitation, this chapter expounds the groups of Fu and the same topic Fu, throws light on factors for the popularity of imitation. To explore the criticism of Fu, this chapter expounds the view of poetry in the study of Fu, the contradiction between utility and aesthetic conception, the relation between things and emotion.

【关键词 (中文/英文)】 赋; 汉魏六朝; 多维视野; 文学解读; 文化阐释 Fu; Han Wei and Six-dynasties; Multiview; Literary Comprehension; Cultural Discovery

【发表年期】2005年06期 【网络出版投稿人】陕西师范大学 【DOI】CNKI:CDMD:1.2005.091576