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“广东音乐”文化研究

A Cultural Perspective of "Cantonese Music  

【作者】陶诚 【导师】王耀华

【作者基本信息】福建师范大学，音乐学，2003年，博士


【摘要 (中文/英文)】 “广东音乐”产生在岭南这样一个有着深厚民族民间音乐基础的移民地区，它多方吸收了姊妹艺术及西方音乐的某些因素，经历漫长的社会发展历程，逐渐形成自己独特的风格，成为一个特色鲜明的地方乐种。它的形成是岭南音乐文化历史积淀的结果。 本文从历史学、社会学、民俗学等视角，运用民族音乐学的方法，分析、解剖“广东音乐”的产生、发展、繁荣状况，挖掘“广东音乐”作为近代民间乐种所独具的文化性格和艺术精神，进而，从中窥视近代沿海音乐文化的形成、发展、兴盛的脉络和嬗变轨迹，从而获得规律性的认识。 全文把“广东音乐”划分为5个阶段，并分别称之为：孕育期、生长期(硬弓时期)、成熟期(软弓时期)、徘徊期和发展期。分别论述了“广东音乐”各发展时期的社会文化背景、所用的乐器及其组合、代表作品及代表人物、音乐特征。试图寻探“广东音乐”是如何适应各时期社会、经济、文化与人民群众审美需求而进行变革、创新的规律。

Born in an immigrant area with an extensive foundation of national folk music like Canton, "Cantonese Music" has absorbed some ingredients of other art forms and western music in many ways. After experiencing a long course of social development it has evolved a style of its own and become a local musical form with distinctive features. Its formation resulted from the accumulation of the cultural history of music in Canton. By applying the methods of national musicology, this work analyzes and dissects the birth, development, prosperity and tatus quo of "Cantonese Music" from the visions of history, sociology and folklore. It digs the peculiar cultural characters and artistic spirits out of "Cantonese Music" as a folk music in modern times so that we can understand the regularity of the formation, development, prosperity and change of coastal cultures. By dividing "Cantonese Music" into the five phases of gestation, growth, maturity, pacing up and down, and development, this work discusses the different social cultural backgrounds, musical instruments used, their combinations, characteristics, representative works and characters in its respective developing phase. It also reviews the spreading ways, the handing down measures, the cultural connotations, the boundaries of both refined and popular tastes, the urban and rural distributions of the traditional music in Canton.

【关键词 (中文/英文)】 广东音乐; 文化研究; 地方乐种 Cantonese Music; Cultural Perspective; local musical

【发表年期】2003年03期 【网络出版投稿人】福建师范大学 【DOI】CNKI:CDMD:1.2003.071577