The Zang minority literature and other ethnic minority literature have been excluded, as part of folklore, from the official history of Chinese contemporary and modern literature until the 1990s when Wu-Chongyang focused on those minority writers in his book entitled A Survey of Minority Literature in Modern China. It was the first time in the research of history of modern Chinese literature that the minority identities of those writers were stressed. But in the book there is not a definite theoretical system for the history of ethnic minority literature, e.g. no Zang minority writers or Zang folklores are discussed. Afterwards, Te. Sinbayer (Inner Mongolian), as the editor in chief, published The History of Contemporary Minority Literature in China, which intends to build an overview of the history of ethnic minority literature, but his pespective goes beyond the Chinese literature. Then Chen-Sihe, as the editor in chief, published A Course on the History of Contemporary Chinese Literature, which further discusses the two systems of folk literature and professional writings from the points of view of "multi-nationality in Chinese literature", but fails to make in-depth observations. In 2004, Ding-Fan, as the editor in chief, turned out History of Modern Literature in Western China, and made further study of the minority writers and the minority folklore, but his distinct point of view of history of regional literature goes beyond the limits of ethnic minority literature. It is obvious that though great achievements have made regarding the Chinese literature of the minority nationality, there has not been thorough research on Chinese literature among minorities and there has not been a work concerning the research into the Chinese literature of Chinese minorities since the establishment of the People's Republic of China. The dissertation is intended to fill up the vacancy in literature by research on contemporary Han literature of Zang minority. A comprehensive observation of the Zang minority literature from Two Parts and Three Layers helps to achieve a complete understanding of its essence. Two Parts mean folk literature and professional writings in the Zang minority literature. Three Layers include as follows: first, it is literature mainly dealing with the social life of the Zang minority; second, it is literature with Zang origin, including the personal literary works created by the professional Zang minority writers and the oral literature created by the Zang minority community; third, it is literature created originally in two system of both Zang language and Chinese language. The Chinsese literary
【关键词 (中文/英文)】 当代藏族作家; 藏族汉语文学评论; 民族文学风格; 文学的时代文化意义 the contemporary Zang minority writers; the discussion about Zang minority Chinese literature; national literatary style; cultural connotation of literature
