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【讲座】比尔·艾伟:作为非物质文化遗产的历史流行文化?

【讲座】比尔·艾伟:作为非物质文化遗产的历史流行文化?



时间:6月3日(周一)下午三点到五点
地点:北京大学静园五院-中文系二楼报告厅

演讲题目:Historical Pop Culture as Intangible Culture Heritage?
作为非物质文化遗产的历史流行文化?


主讲人:比尔· 艾伟(Bill Ivey)
美国范德堡大学中美教育与文化中心主任,美国民俗学会前任会长  

英文演讲,但会有翻译(据说是朱刚帅哥

报告厅比较大,欢迎大家有空没空多多地来!


主办:中国民俗学会  北京大学中文系民间文学教研室

2013年6月2日
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Bill Ivey (AFS President, 2006-2007)



Bill Ivey is the Director of the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University, an arts policy research center with offices in Nashville, Tennessee, and Washington, DC. He also serves as Senior Consultant to Leadership Music, a music industry professional development program, and chairs the board of the National Recording Preservation Foundation, a federally-chartered foundation affiliated with the Library of Congress.

From May, 1998 through September, 2001, Ivey served as the seventh Chairman of the National Endowment for the Arts, a federal cultural agency. Following years of controversy and significant budget cuts, Ivey's leadership is credited with restoring Congressional confidence in the work of the NEA. Ivey's Challenge America Initiative, launched in 1999, has to date garnered more than $19 million in new Congressional appropriations for the Arts Endowment. Ivey returned to Washington, DC, in the fall of 2008 to serve as Team Leader for Arts and Humanities in the Barack Obama Presidential Transition.

Prior to government service, Ivey was director of the Country Music Foundation in Nashville, Tennessee. He was twice elected board chairman of the National Academy of Recording Arts and Sciences. Ivey holds degrees in folklore, history, and ethnomusicology, as well as honorary doctorates from the University of Michigan, Michigan Technological University, Wayne State University, and Indiana University. He is a four-time Grammy Award nominee (Best Album Notes category), and is the author of numerous articles on US cultural policy and folk and popular music. Ivey is the author of Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights (University of California Press, 2008), called by critic Benjamin Barber "an important book about democracy.”

http://www.afsnet.org/?page=Presidents
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Arts, Inc.: How Greed and Neglect Have Destroyed our Cultural Rights

Bill Ivey on the state of the arts in America

In this impassioned and persuasive book, Bill Ivey, the former chairman of the National Endowment for the Arts, assesses the current state of the arts in America and finds cause for alarm. Even as he celebrates our ever-emerging culture and the way it enriches our lives here at home while spreading the dream of democracy around the world, he points to a looming crisis. The expanding footprint of copyright, an unconstrained arts industry marketplace, and a government unwilling to engage culture as a serious arena for public policy have come together to undermine art, artistry, and cultural heritage—the expressive life of America. In eight succinct chapters, Ivey blends personal and professional memoir, policy analysis, and deeply held convictions to explore and define a coordinated vision for art, culture, and expression in American life.

Reviews

At a time when international polls show doubts about America, our art and culture are a crucial resource for our soft power. Bill Ivey does a wonderful job of explaining the importance of art as a public issue. —Joseph S. Nye, Jr., author of Soft Power: The Means to Success in World Politics

A profoundly important diagnosis by perhaps America’s best-qualified critic of the harm to our culture caused by overregulation and inadequate support. Ivey has given us a rich and beautifully written warning about the culture we’re losing, and a powerful and historically compelling image of a culture that could be.—Lawrence Lessig, Stanford Law School

Walt Whitman was democracy’s eloquent poet who understood that democracy is not just a form of government but a way of life rooted in culture. Bill Ivey is culture’s eloquent advocate who knows that as democracy needs the arts, the arts need the advocacy of government. His manifesto Arts, Inc.  is a passionate attack on the commercialization of culture and a plea for a cultural bill of rights that will restore to all Americans their right to a heritage, to creative expression and to a creative life. This is not just a vital book about the arts, but a vital book about democracy. —Benjamin R. Barber, author of Jihad vs. McWorld and Consumed

Bill Ivey has written a thoughtful and thought-provoking book on the state of the arts in America today. He tracks our loss of heritage and risk-taking and comments cogently on the past culture wars. His discussion of the corporate hijacking of intellectual property is highly articulate and should be read by everyone.—Jane Alexander

You don’t have to agree with all his conclusions to recognize that Bill Ivey’s Arts, Inc.  is an important book. It’s a must-read for all those interested in American art and culture and the public interest in preserving access to our heritage for everyone, and as it contributes to the arts of today and tomorrow.—Frank Hodsoll

Arts, Inc. is the first comprehensive effort to explore the role and potential of a coordinated vision for art, culture, and expression in American public life. Through strands of personal and professional memoir, policy analysis, for-profit and nonprofit industry insights, and personal conviction, Bill Ivey defines a new canvas for more productive and inclusive conversations on the expressive life of our nation and its citizens.—Andrew Taylor, Bolz Center for Arts Administration, University of Wisconsin-Madison

Very few observers of the contemporary U.S. and global arts worlds have Bill Ivey’s capacity for first-hand examples of how trade representatives, artists, music executives, corporate attorneys, elected officials, non-profit executives and many other participants influence the course of the arts, and in particular, the public’s access to the arts. Arts, Inc. is an important work because it asserts, in a very thoughtful and urgent manner, that Americans have a right to a better expressive life.—John Kreidler, retired Executive Director, Cultural Initiatives Silicon Valley

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主讲人的另一种简介:

Bill Ivey
Director, Curb Center for Art, Enterprise, and Public Policy
Vanderbilt University

Bill Ivey is Founding Director of the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University, an arts policy research center with offices in Nashville, TN and Washington, DC. He also directs the Center's Washington-based program for senior government career staff, and the Arts Industries Policy Forum, and serves as senior consultant to Leadership Music, a professional development program serving Nashville's music community. Ivey served as Team Leader for Arts and Humanities in the Obama-Biden Presidential Transition. His book, Arts, Inc.: How Greed and Neglect have Destroyed our Cultural Rights, was published by the University of California Press in 2008.

From 1998 through 2001, Ivey served as the seventh Chairman of the National Endowment for the Arts. Following years of controversy and significant reductions in NEA funding, Ivey's leadership is credited with restoring Congressional confidence in the work of the NEA. Ivey's Challenge America Initiative, launched in 1999, has to date garnered more than $15 million in new Congressional appropriations for the Arts Endowment.

Prior to government service, Ivey was director of the Country Music Foundation in Nashville. He was twice elected board chairman of the National Academy of Recording Arts and Sciences (NARAS), and is immediate past President of the American Folklore Society. Ivey holds degrees in history, folklore, and ethnomusicology, as well as honorary doctorates from the University of Michigan, Michigan Technological University, Wayne State University, and Indiana University. He is a four-time Grammy Award nominee (Best Album Notes category), and is the author of numerous articles on U.S. cultural policy, and on folk and popular music.

http://ncsue.msu.edu/esss/ivey.aspx

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新浪微博通告

#中国民俗学会成立30周年系列纪念活动#【讲座预告】比尔·艾伟:作为非物质文化遗产的历史流行文化?┃时间:6月3日(周一)15:00-17:00┃地点:北京大学静园五院-中文系二楼报告厅┃主讲人简介Bill Ivey,美国范德堡大学中美教育与文化中心主任,美国民俗学会前任会长。 详情见http://t.cn/zHKNRHy



大家请转发@中国民俗学会

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艾伟教授的视频讲座:奥巴马时代的艺术与社区

Arts and Community in the Age of Obama

Wednesday, April 7, 2010
3:30 - 5:00 p.m. | Room Big Ten C, Kellogg Hotel & Conference Center

http://ncsue.msu.edu/esss/ivey.aspx

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期待明天讲座的录音

想去听,可惜明天有事去不了。。。。

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回复 9# 的帖子

俺也是有答辩会去不了,很遗憾。。。
艾伟教授是文化政策专家,也是美国民间音乐和通俗音乐专家。他还做过奥巴马智囊团的文化顾问。
大家这两天在讨论民俗学者“在野”、“在朝”问题,这也是个很好的探讨机会。

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回复 3# 的帖子:艾伟教授的主要著述

Ivey  is a trustee of the Center for American Progress, and was a Team Leader in the Barack Obama presidential transition.

He is the author of
Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights
co-editor of
Engaging Art: The Next Great Transformation of America's Cultural Life
and most recently
Handmaking America: A Back-to-Basics Pathway to a Revitalized American Democracy

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老帅了!!

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今天在微博上看到一条微博说,中国的非遗保护从毛泽东时代就开始了。。。

这明显是把当时的民间文艺和新民歌运动当初了今天非遗保护。

但是,仔细想想,之所以会产生这样堂而皇之的误解,乃是今日中国的非遗保护跟延安文艺、跟新民歌运动、跟三套继承都有同质化的一面。  

当然,全世界凡是参与到世界申遗运动中来的国家,也都和政治(所谓文化主权)相关。

然后从这一点再看其他世界组织,类似于教科文的还有安理会、经贸组织、卫生组织、环保组织、气候大会等等。。。

很多内容都是开始于科学研究,是按照一种全球监控(全球治理)的方式设计出来的,但是具体实践当中,必然涉及到国家间内部外部的诸多问题,因此,还原到非遗(或者是 国际安全、世界卫生、环保、经贸)的文本(命名),与实践的差别在哪里?

最近看关凯的《族群政治》,按照政治学的逻辑,其实任何一个层面的国际问题都存在政治性的一面,特别是在这种涉及到全球化和国际“文本”的领域。而当今,除了军事、经济和所有自然科学领域外,文化可能是最富有政治学张力的一个领域,一方面强调共享、分享的多元文化主义,一方面又被政治利用。
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利用与被利用与被被利用……
古今多少事,都付笑谈中……

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